'The Nation's Ukulele Orchestra'
BBC News, Radio 4, 23rd September 2014
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News

  • March 29, 2021
    Twelve years after the Ukes first walked on stage in front of a sold out audience at the Royal Albert Hall, they are releasing their full BBC Proms concert in digital format.
  • March 14, 2021
    Watch our latest Youtube video where George Hinchliffe, founder of the Ukulele Orchestra of Great Britain, responds to questions sent in by fans and illustrates his answers with musical excerpts played on the ukulele.
  • February 28, 2021
    The Ukes are back with a brand new pay-per-view show. Join the all plucking superstars for a new show, exemplifying the virtues of skiffle, punk, and international counter-cultural popular music.
  • February 12, 2021
    At Christmas, we gave away a songbook of carols. So we're doing another one for Valentine's day. If you're a ukulele player, some unusual but rewarding chords and melodies might be just the thing to keep you busy.

The Ukes

 


The Ukulele Orchestra of Great Britain is a group of all-singing, all-strumming Ukulele players, using instruments bought with loose change, which believes that all genres of music are available for reinterpretation, as long as they are played on the Ukulele.

A concert by the Ukulele Orchestra is a funny, virtuosic, twanging, awesome, foot-stomping obituary of rock-n-roll and melodious light entertainment featuring only the “bonsai guitar” and a menagerie of voices in a collision of post-punk performance and toe-tapping oldies. There are no drums, pianos, backing tracks or banjos, no pitch shifters or electronic trickery. Only an astonishing revelation of the rich palette of orchestration afforded by ukuleles and singing (and a bit of whistling). Audiences have a good time with the Ukulele Orchestra. Going from Tchaikovsky to Nirvana via Otis Redding and Spaghetti Western soundtracks, the Orchestra takes us on “a world tour with only hand luggage” and gives the listener “One Plucking Thing After Another”.

Using instruments small and large, in high and low registers, whether playing intricate melodies, simple tunes, or complex chords, and sitting in chamber group format dressed in formal evening wear, the Orchestra uses the limitations of the instrument to create a musical freedom as it reveals unsuspected musical insights. Both the beauty and vacuity of popular and highbrow music are highlighted, the pompous and the trivial, the moving and the amusing. Sometimes a foolish song can touch an audience more than high art; sometimes music which takes itself too seriously is revealed to be hilarious. You may never think about music in the same way once you’ve been exposed to the Ukes’ depraved musicology.


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