You can also purchase The Ukulele Orchestra of Great Britain's music on Amazon and iTunes or check out our YouTube channel for videos.
December 30, 2016Traditionally this is the annual celebratory tribute to the life, works and spirit of the great Scottish poet, Robert Burns (1759-1796). Celebrated on, or about, the Bard's birthday, January 25th, Burns Suppers range from stentoriously formal gatherings of esthetes and scholars to uproariously informal rave-ups of drunkards and louts.
October 31, 2016Why not request or give Ukulele Orchestra CDs for Christmas. Consider these FOUR albums released in 2016, including the brand-new double album, "The Originals", schedule for release and due to be promoted at gigs in Cologne and the London Palladium in November 2016.
The Ukulele Orchestra of Great Britain is a group of all-singing, all-strumming Ukulele players, using instruments bought with loose change, which believes that all genres of music are available for reinterpretation, as long as they are played on the Ukulele.
A concert by the Ukulele Orchestra is a funny, virtuosic, twanging, awesome, foot-stomping obituary of rock-n-roll and melodious light entertainment featuring only the “bonsai guitar” and a menagerie of voices in a collision of post-punk performance and toe-tapping oldies. There are no drums, pianos, backing tracks or banjos, no pitch shifters or electronic trickery. Only an astonishing revelation of the rich palette of orchestration afforded by ukuleles and singing (and a bit of whistling). Audiences have a good time with the Ukulele Orchestra. Going from Tchaikovsky to Nirvana via Otis Redding and Spaghetti Western soundtracks, the Orchestra takes us on “a world tour with only hand luggage” and gives the listener “One Plucking Thing After Another”.
Using instruments small and large, in high and low registers, whether playing intricate melodies, simple tunes, or complex chords, and sitting in chamber group format dressed in formal evening wear, the Orchestra uses the limitations of the instrument to create a musical freedom as it reveals unsuspected musical insights. Both the beauty and vacuity of popular and highbrow music are highlighted, the pompous and the trivial, the moving and the amusing. Sometimes a foolish song can touch an audience more than high art; sometimes music which takes itself too seriously is revealed to be hilarious. You may never think about music in the same way once you’ve been exposed to the Ukes’ depraved musicology.
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