'The Nation's Ukulele Orchestra'
BBC News, Radio 4, 23rd September 2014
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News

  • March 24, 2015
    The Ukulele Orchestra continue their '30 Plucking Years' World Tour, with a date at the dr.dk Konserthuset in Copenhagen. The Ukes will be in town on Sunday 17th May 2015, and take to the stage at 8pm.
  • March 24, 2015
    Fresh from their tour of Germany, the Ukes are only home for a few days before heading off to play two dates in France. This Saturday 28th March, we will performing at the Acoustic Le Festival in Le Poire-sur-Vie. We then travel to Paris to play the Fondation Cartier on Monday 31st March.
  • March 2, 2015
    Radio 4 Extra tonight, at 8.30pm: The Ukulele Orchestra of Great Britain - Phill Jupitus follows the ensemble of ukulele players who command a cult following.
  • February 23, 2015
    The Ukes are coming back to tour Germany in March! Dorsten, Hamburg, Wolfenbüttel, Wolfsburg, Schweinfurt, Leverkusen and Fürth will all have the pleasure to host The Ukulele Orchestra of Great Britain for an evening of plucking brilliance.

The Ukes

 


The Ukulele Orchestra of Great Britain is a group of all-singing, all-strumming Ukulele players, using instruments bought with loose change, which believes that all genres of music are available for reinterpretation, as long as they are played on the Ukulele.

A concert by the Ukulele Orchestra is a funny, virtuosic, twanging, awesome, foot-stomping obituary of rock-n-roll and melodious light entertainment featuring only the “bonsai guitar” and a menagerie of voices in a collision of post-punk performance and toe-tapping oldies. There are no drums, pianos, backing tracks or banjos, no pitch shifters or electronic trickery. Only an astonishing revelation of the rich palette of orchestration afforded by ukuleles and singing (and a bit of whistling). Audiences have a good time with the Ukulele Orchestra. Going from Tchaikovsky to Nirvana via Otis Redding and Spaghetti Western soundtracks, the Orchestra takes us on “a world tour with only hand luggage” and gives the listener “One Plucking Thing After Another”.

Using instruments small and large, in high and low registers, whether playing intricate melodies, simple tunes, or complex chords, and sitting in chamber group format dressed in formal evening wear, the Orchestra uses the limitations of the instrument to create a musical freedom as it reveals unsuspected musical insights. Both the beauty and vacuity of popular and highbrow music are highlighted, the pompous and the trivial, the moving and the amusing. Sometimes a foolish song can touch an audience more than high art; sometimes music which takes itself too seriously is revealed to be hilarious. You may never think about music in the same way once you’ve been exposed to the Ukes’ depraved musicology.


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