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October 14, 2015The Ukulele Orchestra of Great Britain have two dates left in their final tour of the US for 2015. They play at Hazleton, PA on Thursday 15th October and in Blacksburg, VA on Friday 16th October before flying off for dates in Germany, Austria, New Zealand and the UK before the new year.
October 14, 2015This group is not The Ukulele Orchestra of Great Britain, which has been delighting audiences for 30 years. The Ukulele Orchestra of Great Britain (UOGB) was founded in 1984. A German producer has, however, recently hired other British musicians and booked venues to put on shows with a “look alike” and “sound alike” act they call The United Kingdom Ukulele Orchestra (UKUO).
August 17, 2015The Ukulele Orchestra continues to celebrate 30 Plucking Years of touring at venues and festivals across the UK. The irresistible entertainment juggernaut has announced new dates for 2015 at Birmingham Symphony Hall on December 14th and Victoria Hall in Stoke-on Trent on December 8th.
The Ukulele Orchestra of Great Britain is a group of all-singing, all-strumming Ukulele players, using instruments bought with loose change, which believes that all genres of music are available for reinterpretation, as long as they are played on the Ukulele.
A concert by the Ukulele Orchestra is a funny, virtuosic, twanging, awesome, foot-stomping obituary of rock-n-roll and melodious light entertainment featuring only the “bonsai guitar” and a menagerie of voices in a collision of post-punk performance and toe-tapping oldies. There are no drums, pianos, backing tracks or banjos, no pitch shifters or electronic trickery. Only an astonishing revelation of the rich palette of orchestration afforded by ukuleles and singing (and a bit of whistling). Audiences have a good time with the Ukulele Orchestra. Going from Tchaikovsky to Nirvana via Otis Redding and Spaghetti Western soundtracks, the Orchestra takes us on “a world tour with only hand luggage” and gives the listener “One Plucking Thing After Another”.
Using instruments small and large, in high and low registers, whether playing intricate melodies, simple tunes, or complex chords, and sitting in chamber group format dressed in formal evening wear, the Orchestra uses the limitations of the instrument to create a musical freedom as it reveals unsuspected musical insights. Both the beauty and vacuity of popular and highbrow music are highlighted, the pompous and the trivial, the moving and the amusing. Sometimes a foolish song can touch an audience more than high art; sometimes music which takes itself too seriously is revealed to be hilarious. You may never think about music in the same way once you’ve been exposed to the Ukes’ depraved musicology.
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